Scientia Professor Dennis Del Favero

Personalise

Scientia Professor Dennis Del Favero is a research artist, ARC Laureate Fellow, Chair Professor of Digital Innovation, Executive Director of the iCinema Research Centre at UNSW; Visiting Professor at Royal College of Art (London); Member of the European Network on Extreme fiRe behaviOur (NERO) and Editorial Board Member of Quodlibet Studio Corpi (Italy). He is a former Executive Director of the Australian Research Council | Humanities and Creative Arts.

Del Favero has held numerous solo exhibitions including at Neue Galerie, Graz, Sprengel Museum, Hanover and ViaFarini, Milan and participated in major group exhibitions including, ‘Battle of the Nations War Memorial’ Leipzig (joint project with Jenny Holzer), ‘Biennial of Seville’, ‘International Architecture Biennale Rotterdam’, ‘Sydney Film Festival’, ‘Videonale’, Bonn, ISEA and SIGGRAPH. He is engaged in interdisciplinary arts and technology projects that explore our interaction with extreme climate scenarios through the reformulation of artificially intelligent aesthetics using immersive visualisation. He is currently leading a major international project to investigate dynamic wildfire scenarios such as those of Australian Black Summer 2019/2020 and US Los Angeles 2025, to enhance anticipatory perception and situational awareness. This is being developed for deployment with partners including the AFAC (National Council for Fire and Emergency Services), Australian Broadcasting Corporation, CSIRO/Data61, Fire and Rescue NSW and the Royal College of Art.

SchenkWeitzdörfer

Mais Wright Gallery
2024    XR Network Grant (UK)

2020    ARC Australian Laureate Fellowship Grant

2019    ARC Linkage Grant

2019    DAAD / UA Australia-Germany Joint Research Co-Operation Scheme

2018    ARC Linkage Grant

2018    ARC Linkage Grant

2017    ARC Linkage Grant

2017    UNSW Strategic Hire and Retention Pathway Award (SHARP)

2016    UNSW Research Infrastructure Grant

2016    UNSW Strategic Education Fund Grant

2015    ARC Linkage Grant

2015    University Grants Committee Hong Kong

2015    ARC Linkage and Infrastructure Grant

2014    Austrian Research Foundation Peek Grant

2014    UNSW Major Research Equipment and Infrastructure Initiative Grant

2014    UNSW Major Research Equipment and Infrastructure Initiative Grant

2013    ARC Linkage and Infrastructure Grant

2013    UNSW Major Research Equipment and Infrastructure Initiative Grant

2013    UTS, Infrastructure Grant

2012    ARC Linkage Project Grant

2012    ABC and Department of Veteran Affairs Research Grant

2012    Australia Council New Work Grant

2012    UNSW Major Research Equipment and Infrastructure Initiative Grant

2012    ARC Discovery Grant

2011    ARC Professorial Fellowship Grant

2011    ARC Professorial Fellowship Grant (UNSW)

2011    ARC Discovery Grant

2011    Shenyang Research Institute of China Commercialisation

2011    Avignon Festival Commission

2011    Bethune Festival Commission

2010    ARC Linkage Project Grant

2010    UNSW Queen Elizabeth II Fellowship Support Grant

2010    Australia Council and Brookfield Multiplex Commission

2010    Australian Museum Commission

2010    STRP Festival Eindhoven Commission

2010    Museum Victoria Commission

2010    Roma Europa Festival Commission

2009    VPRO, Dutch Public Broadcasting, Amsterdam, Commission

2009    Bourke Museum Commercialisation

2009    Aix-En-Provence Festival Commission

2009    Le Harve Festival Commission

2008    Museum Victoria Commission

2008    Saburo Commission

2008    Biennale of Seville Commission

2008    Shanghai eARTS Festival Commission

2008    Australia Council New Work Grant

2008    ZKM Research Grant

2008    Pittsburgh University Publications Grant

2008    University of Wollongong Commercialisation

2008    Questacon/Scitech Commercialisation

2007    NSW Mines Rescue Pty Ltd. Commercialisation

2007    UNSW Strategic Priorities Grant

2007    UNSW Strategic Grant

2007    UNSW Infrastructure Grant

2006    ARC Linkage Project Grant

2006    Australia Council Development Grant

2006    UNSW DVC Strategic Fund Grant

2006    UNSW Infrastructure Grant

2006    University of Western Australia Commercialisation

2005    ARC Discovery Grant

2005    ARC Queen Elizabeth II Fellowship Grant

2005    UNSW International Strategic Projects Grant

2005    UNSW University Capital Grant

2004    ARC Linkage Infrastructure Grant

2004    ARC Linkage Project Grant

2004    Australia Council Synapse Grant

2004    Australia Council Visual Arts and Crafts Board New Work Grant

2003    ARC Research Network Seed Funding Grant

2003    ARC Discovery Grant

2003    UNSW Research Initiative Grant

2003    Lille Festival Commission

2002    ARC Discovery Grant

2002    ARC Post-Doctoral Fellowship Grant

2002    UNSW Faculty Support Grant

2000   UNSW Vice-Chancellor’s Post-Doctoral Research Fellowship Grant

2000   Digital Media Fund Victoria Grant

2000    ARC International Research Grant

2000    Australia Council New Media Grant

1999    ZKM Project Grant

1999    Neue Galerie Graz Project Grant

1997    Civitella Ranieri Foundation Fellowship Grant

1997    Australia Council New Media Presentation Grant

1996    Australia Council Hybrid Project Grant

1994    Australia Council Artist in Residence Grant

1993    United Nations High Commissioner for Refugees Research Grant

1992    Gordon Darling Foundation Grant

1990    Visual Arts and Crafts Board Project Grant

1989    Canada Council Artist Grant

1985    Australian Film Commission Grant

1984    Office of the Ministry for the Arts Grant
2026                Senior Research Fellow, DFG Centre for Advanced Study, University of Münster, Germany

2025-27 Inaugural Visiting Professor, Royal College of Art, UK

since 2024 Honorary Professorial Fellow, The University of Melbourne

2021-25           ARC Australian Laureate Fellow, UNSW

2017-20          SHARP Professor, UNSW

2017-19           Senior Research Fellow, The University of California, Santa Barbara, USA

2014-17          Visiting Professorial Fellow, Visual Arts, The Academy of Fine Arts, Vienna, Austria

2012-17          Inaugural Visiting Professorial Fellow, Digital Media, ZKM, Karlsruhe, Germany

2012-20          Visiting Professorial Fellow, Design, IUAV – University of Venice, Italy

2012-17          Visiting Professor, Creative Media, City University of Hong Kong (CityU), China

2011-15          ARC Australian Professorial Fellow, UNSW

2011                ARC Future Fellow, UNSW

2009-10          Visiting Senior Fellow, Creative Media, CityU

2005-10          ARC Queen Elizabeth II Fellow, UNSW

2002-05          ARC Post-Doctoral Fellow, UNSW

2000-02          Vice-Chancellor’s Post-Doctoral Fellow, UNSW

1999                Visiting Research Fellow, Digital Media, University of Potsdam, Germany

1997                Research Fellow, Visual Arts, Civitella Ranieri Foundation, Umbertide, Italy
2024                Fellow of the Australian Academy of the Humanities

2017                Chair Professor of Digital Innovation, UNSW

2015                Scientia Professorship, UNSW, Australia

2013 International Council of Museums (ICOM) Australia Award, Australia

2013 Australian Arts in Asia Award for Innovation, Australia

2012                ACUADS Distinguished Researcher Award, Australia

2012                 ARC Eureka Prize for Interdisciplinary Research, Finalist, Australia

2011                Gold MUSE Award for Museum Media, USA

2010                 ATOM Award for Best Factual Television, Australia

2010                Design Award of the Federal Republic of Germany, Finalist, Germany

2010                ARC Eureka Prize for Interdisciplinary Research, Finalist, Australia

2009                International Design Excellence Award Gold Medal, USA

2009                ARC Eureka Prize for Interdisciplinary Research, Finalist, Australia

1999 Artist-in-Residence, Neue Galerie am Universalmuseum Joanneum, Graz, Austria

1994                Artist-in-Residence, Australia Council Studio, Besozzo, Italy

1990                Artist-in-Residence, Presentation House Gallery, Vancouver, Canada

1989                Artist-in-Residence, ZKM, Karlsruhe, Germany

1988                Prix D’Italia Prize Special Commendation for Radio Drama, Italy

1984                Design Institute Australia Award for Exhibition Design, Australia
Academy of Fine Arts, Vienna, Austria

City University of Hong Kong, China

City University of New York, USA

Dresden University of Technology, Germany

École Polytechnique Fédérale de Lausanne, Switzerland

Edith Cowan University, Perth, Australia

IUAV – University of Venice, Italy

Karlsruhe University of Arts and Design, Germany

Monash University, Caufield, Australia

Murdoch University, Perth, Australia

Nanyang Technological University, Singapore

Queensland University of Technology, Brisbane, Australia

Rensselaer Polytechnic Institute, New York, USA

Royal College of Art, London, UK

Royal Holloway University of London, UK

Royal Melbourne Institute of Technology (RMIT), Australia

San José State University, USA

Stanford University, USA

University of California, Santa Barbara, USA

University of Cambridge, UK

University of Canberra, Australia

University of Cologne, Germany

University of Glasgow, UK

University of Heidelberg, Germany

University of Liverpool, UK

University of Melbourne, Australia

University of Münster, Germany

University of Nottingham, UK

University of Pittsburgh, USA

University of Potsdam, Germany

University of Sydney, Australia

University of Technology, Sydney (UTS), Australia

University of the Arts, London, UK

University of Wollongong, Australia

Victoria University, Melbourne, Australia
AARNet Pty Ltd, Australia

ACT Emergency Services Agency, Australia

AFAC – Australasian Fire and Emergency Service Authorities Council, Australia

Agencia de Medio Ambiente y Agua de Andalucía, Spain

Ars Electronica, Austria

Art Gallery of New South Wales, Australia

Australian Broadcasting Corporation (ABC), Australia

Australian Centre for the Moving Image (ACMI), Australia

Australian Chamber Orchestra, Australia

Australian Defence Force, Australia

Australian Institute for Disaster Resilience, Australia

Australian Museum, Australia

Australian Network for Art & Technology (ANAT), Australia

Australian Red Cross Society, Australia

Australian War Memorial, Australia

Brookfield MULTIPLEX, Australia

Bureau of Meteorology, Australia

Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, India

CAL FIRE, USA

Civil Protection Special Force (FEPC), Portugal

Country Fire Authority (CF), Australia

Creative Australia, Australia

CSIRO Melbourne, Australia

CSIRO Silicon Valley, USA

Data61, Australia

Department of Veterans’ Affairs, Australia

Disaster Relief Australia, Australia

EPIDEMIC, France

Event Engineering, Australia

Fire and Rescue New South Wales, Australia

Hawkesbury City Council, Australia

Kaladham Museum, India

LWL – Museum of Art & Culture, Germany

Midnight Oil

Mines Rescue Pty Ltd., Australia

Museum of Applied Arts & Sciences, Australia

Museums Victoria, Australia

National Gallery of Australia, Australia

National Institute of Dramatic Art (NIDA), Australia

Natural Hazards Research Australia, Australia

NSW Department of Climate Change, Energy, the Environment and Water, Australia

NSW Department of Education, Australia

NSW Rural Fire Service, Australia

Opera Australia, Australia

Pau Costa Foundation, Spain

SAFE Cluster, France

Special Broadcasting Service (SBS) Television, Australia

Shenyang Research Institute of China Coal Technology & Engineering Group, China

Starlink Australia Pty Ltd, Australia

Sydney Theatre Company, Australia

The Wooster Group, USA

Trillium Technologies Inc, USA

VIC Department of Energy, Environment and Climate Action, Australia

VPRO Dutch Public Broadcasting, Netherlands

WA Department of Fire & Emergency Service, Australia

WSP, Australia

ZKM Center for Art & Media, Karlsruhe, Germany
DCA (Visual Art), University of Technology, Sydney, 1999

Master of Art (Visual Art), The University of New South Wales, 1989

Grad. Dip. (Visual Art), The University of Sydney, 1985

Dip. Ed. (Arts), The University of Sydney, Australia, 1976

Bachelor of Arts (Philosophy), The University of Sydney, 1976
Del Favero, D. (2026 – forthcoming). Equinox. SchenkWeitzdörfer, Cologne

Del Favero, D. (2026 – forthcoming). Equinox. Royal College of Art, London

Del Favero, D., Song, Y., Drummond, G., Herrera, G., Flores Gonzalez, M. & Thurow, S. (2026 – forthcoming). iFire 2.0. Royal College of Art, London

Del Favero, D., Song, Y., Green, C. & Ostwald, M. (2025). iFire 1.0. Royal College of Art, London

Del Favero, D., Song, Y., Green, C. & Sharples, J. (2025). Penumbra. Royal College of Art, London

Del Favero, D., Song, Y., Green, C. & Ostwald, M. (2025). iFire 1.0. Melbourne Design Week, Melbourne

Del Favero, D., Song, Y., Green, C. & Sharples, J. (2025). Penumbra. Melbourne Design Week, Melbourne

Del Favero, D., Song, Y., Green, C. & Sharples, J. (2024). Penumbra. ISEA, Constellations @ QUT, Brisbane

Del Favero, D., Song, Y., Green, C. & Sharples, J. (2023). Penumbra. SIGGRAPH Asia, ICC Sydney.

Del Favero, D., Song, Y., Green, C. & Sharples, J. (2023). Penumbra. Viscera, Cavallarizza Reale, Turin, Italy.

Del Favero, D., Bennett, J., Brown, N., Shaw, J. & Weibel, P. (2023). Nebula IV. ReContemporary, Turin, Italy.

Del Favero, D. (2023). Medusa. Viscera, Cavallarizza Reale, Turin, Italy.

Del Favero, D. (2023). Ellipsis. Viscera, Recontemporary, Turin, Italy.

Del Favero, D., Sammut, C., Blacklock, F., Oliver, C., Thurow, S., Connell, M. & Baskaran, A. (2023). Victorian Reality. SXSW Sydney, Powerhouse Museum, Sydney.

Del Favero, D., Sammut, C., Blacklock, F., Oliver, C., Thurow, S., Connell, M. & Baskaran, A. (2023). Victorian Reality. Museum of Applied Art and Sciences, Castle Hill.

Del Favero, D. (2022). Penumbra. Galerie Brigitte Schenk for ‘Dusseldorf Cologne Open’, Cologne, Germany.

Del Favero, D. (2022). Lacuna. Galerie Brigitte Schenk for ‘Dusseldorf Cologne Open’, Cologne, Germany.

Del Favero, D., Pagnucco, M., Wallen, L., Scott-Mitchell, M. & Williams, K. et al. (2021). iDesign, Sydney Theatre Wharf Complex, Sydney.

Del Favero, D., Bednarz, T. & Cutcliffe, D. (2019). Voldemort, WSP, Sydney.

Del Favero, D. & Bednarz, T. (2019). SOS, in ’SIGGRAPH Asia’, Gallery of Contemporary Art, Brisbane.

Del Favero, D. (2019). Nebula IV, in ‘SIGGRAPH Asia’, Gallery of Contemporary Art, Brisbane.

Del Favero, D. (2019). Vogesen II, in ’Future Design’, Experimenta, Heilbronn, Germany.

Del Favero, D., Yip, A., Ong, A. & Zhang, J. (2019). Apollo, Powerhouse Museum, Sydney.

Tschapeller, W. & Del Favero, D. (2019). Intra Space 2, in ‘AUT – Architektur & Tirol’, Innsbruck, Austria.

Del Favero, D., Bennett, J., Brown, N., Shaw, J., Weibel, P., Frohne, U. & Chan, J. (2018). Nebula IV, in ‘Art Abu Dhabi’, Abu Dhabi, UAE.

Del Favero, D. (2018). Nebula IV, in ‘Le Printemps de Septembre’, La Fondation Espace Écureuil, Toulouse, France.

Del Favero, D. (2018). Slipstream, in ‘Art Abu Dhabi’, Abu Dhabi, UAE.

Del Favero, D. (2018). Slipstream, in ‘Visibility Matrix’, Douglas Hyde Gallery, Dublin & Void Gallery, Derry, both Ireland.

Del Favero, D. (2018). Slipstream, in ‘Le Printemps de Septembre’, La Fondation Espace Écureuil, Toulouse, France.

Del Favero, D. (2018). Leibniz, in ‘Art Cologne’, Cologne, Germany.

Tschapeller, W. & Del Favero, D. (2019). Intra Space 2, in ‘ImPulsTanz Vienna International Dance Festival’, Vienna, Austria.

Del Favero, D., Bennett, J., Brown, N., Shaw, J., Weibel, P., Frohne, U. & Chan, J. (2018). Nebula IV, in ‘SIGGRAPH Asia’, Tokyo International Forum, Tokyo, Japan.

Del Favero, D., Bennett, J., Brown, N., Shaw, J., Weibel, P., Frohne, U. & Chan, J. (2018). Nebula IV, in ‘Visibility Matrix’, Douglas Hyde Gallery, Dublin & Void Gallery, Derry, both Ireland.

Del Favero, D., Bennett, J., Brown, N., Shaw, J., Weibel, P., Frohne, U. & Chan, J. (2018). Nebula IV, in ‘Art Cologne’, Cologne, Germany.

Del Favero, D. (2017). Nebula III, in ‘Aphasia – Düsseldorf & Cologne Open’, Galerie Brigitte Schenk, Cologne, Germany.

Del Favero, D., Brown, N., Compton, P., Shaw. J., Ip, H., Kenderdine, S., Hart, T. & Weibel, P. (2017). iDATA, in ‘Art of Immersion: Virtual Frontiers’, ZKM | Center for Art & Media, Karlsruhe, Germany.

Del Favero, D. (2017). Miasma, in ‘Aphasia – Duesseldorf & Cologne Open’, Galerie Brigitte Schenk, Cologne, Germany.

Shaw, J. & Del Favero, D. (2017). AVIE III, Chengdu Research Institute, Chengdu, China.

Shaw, J. & Del Favero, D. (2017). AVIE III, in ‘Digitalife’, Palazzo delle Esposizione, Rome, Italy.

Del Favero, D. (2017). Leibniz, in ‘Aphasia – Düsseldorf & Cologne Open’, Galerie Brigitte Schenk, Cologne, Germany.

Del Favero, D., Shaw, J., Chan, J. & Smith, T. (2017). Deluge, in ‘Art of Immersion: Virtual Frontiers’, ZKM|Center for Art & Media, Karlsruhe, Germany.

Del Favero, D., Bennett, J., Brown, N., Shaw, J., Weibel, P., Frohne, U. & Chan, J. (2017). Nebula III, in ‘Art of Immersion: Virtual Frontiers’, ZKM|Center for Art & Media, Karlsruhe, Germany.

Tschapeller, W., Del Favero, D., Thielscher, M., Frohne, U., Kruschkova, K., Pomassi, K., Balfe, E. & Wimmer, M. (2017). Intra Space_2. Academy of Fine Arts (AFA), Vienna, Austria.

Del Favero, D., Sherwood, S., Fuchs, D. & Prasad, A. (2017). Flow Fields, UNSW, Sydney.

Kenderdine, S., Del Favero, D., Thielscher, M., Nakata, N. & Ross, S. et al. (2017). Domelab, in ‘Songlines: Tracking the Seven Sisters’, National Museum, Canberra.

Shaw, J. & Del Favero, D. (2017). AVIE III, in ‘Art of Immersion: Virtual Frontiers’, ZKM|Center for Art & Media, Karlsruhe, Germany.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2017). T_Visionarium IV, in ‘Aphasia – Düsseldorf & Cologne Open’, Galerie Brigitte Schenk, Cologne, Germany.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2017). T_Visionarium IV, in ‘Art of Immersion: Virtual Frontiers’, ZKM|Center for Art & Media, Karlsruhe, Germany.

Del Favero, D. with Sewell, S., Titan, E. & Weibel, P. (2016). Nebula II, in ‘Sydney Film Festival’, Sydney.

Del Favero, D. with Kuchelmeister, V., Sewell, S. & Smith, T. (2016). Deluge, in ‘Sydney Film Festival’, Sydney.

Del Favero, D., Kenderdine, S., Sammut, C., Pather, N. & Oliver, C. (2016). Virtual Fields, UNSW, Sydney.

Kenderdine, S., Del Favero, D., Thielscher, M., Nakata, N. & Ross, S. et al. (2016). Domelab, in ‘Look up Mumbai’, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai, India

Kenderdine, S., Del Favero, D., Thielscher, M., Nakata, N. & Ross, S. et al. (2016). Domelab, in ‘Design & Play’, RMIT Design Hub Gallery, Melbourne.

Del Favero, D. & Shaw, J. (2016). AVIE III, in ‘Sydney Film Festival’, Sydney.

Shaw, J. & Del Favero, D. (2016). AVIE III, in ‚Bonlieu Scène Nationale’, Annecy, France.

Shaw, J. & Del Favero, D. (2016). AVIE III, in ‘GLOBALE’, ZKM | Center for Art & Media, Karlsruhe, Germany.

Shaw, J. & Del Favero, D. (2016). AVIE III, in ‘Seoul Mediacity Biennale’, Museum of Art, Seoul, Korea.

Shaw, J. & Del Favero, D. (2016). AVIE III, in Museum of Fine Art, Montreal, Canada.

Tschapeller, W. & Del Favero, D. (2016). Intra Space_1, Academy of Fine Arts, Vienna, Austria.

Del Favero, D. (2016). Nebula II, in ‘International Symposium of Electronic Art 2016 (ISEA16)’, Hong Kong, China.

Del Favero, D. (2016). Nebula II, in ‘Art Cologne’, Cologne, Germany.

Del Favero, D. (2016). Nebula II, in ‘Group Exhibition 2016’, Kronenberg Wright Artists Projects, Sydney.

Del Favero, D. & Shaw, J. (2016). AVIE III, in ‘International Symposium of Electronic Art 2016 (ISEA16)’, Hong Kong, China.

Del Favero, D., Titan, E. & Weibel, P. (2016). Vogesen I, in ‘Art Cologne’ (Galerie Brigitte Schenk), Cologne, Germany.

Del Favero, D. (2016). Nebula II, Galerie Scharmann & Laskowski, Cologne, Germany.

Del Favero, D., Harley, R., Bennett, J., Thielscher, M., Brown, N.C., Stockings, C., Kuchelmeister, V., MacGregor, A. & Reid, R. (2016). Retrospect, Melbourne Museum, Melbourne.

Del Favero, D., Brown, N.C., Compton, P., Shaw. J., Ip, H., Kenderdine, S., Hart, T. & Weibel, P. (2016). mARChive, Melbourne Museum, Melbourne.

Shaw, J. & Del Favero, D. (2015). AVIE III, in ‘20th Int. Conference on Virtual Systems & Multimedia’, ALiVE – Applied Laboratory of Interactive Visualization & Embodiment, CityU, Hong Kong, China.

Del Favero, D., Titan, E. & Weibel, P. (2015). Vogesen I, in ‘GLOBALE’, ZKM Museum of Contemporary Art, Karlsruhe, Germany.

Kenderdine, S., Del Favero, D., Thielscher, M., Nakata, N. & Ross, S. et al. (2015). Domelab, Michael Crouch Innovation Centre, Sydney.

Del Favero, D., Harley, R., Bennett, J., Thielscher, M., Brown, N., Stockings, C., Kuchelmeister, V., MacGregor, A. & Reid, R. (2015). Retrospect: War, Family, Afghanistan, Eugene Goossens Studio, Sydney.

Del Favero, D. (2015). Nebula I, in ‘Tactical Imaginary’, SCA Galleries, Sydney College of the Arts, Sydney.

Del Favero, D. (2015). Nebula I, in ‘Libidinal Circuits: Scenes of Urban Innovation III’, FACT (Foundation for Art & Creative Technology), Liverpool, UK.

Del Favero, D. (2015). Nebula I, in ‘Globale’, ZKM|Center for Art & Media, Karlsruhe, Germany.

Del Favero, D. (2015). Nebula I, in ‘Redlands Konica Minolta Art Prize’, National Arts School Gallery, Sydney.

Del Favero, D., Harley, R., Bennett, J., Thielscher, M., Brown, N., Stockings, C., Kuchelmeister, V., MacGregor, A. & Reid, R. (2015). _"Retrospect: War, Family, Afghanistan":http://retrospect.abc.net.au. Website project hosted by the Australian Broadcasting Corporation (ABC).

Del Favero, D., Harley, R., Bennett, J., Thielscher, M., Brown, N., Stockings, C., Kuchelmeister, V., MacGregor, A. & Reid, R. (2015). Retrospect: War, Family, Afghanistan. ABC Radio National & ABC TV.

Del Favero, D., Brown, N.C., Compton, P., Shaw. J., Ip, H., Kenderdine, S., Hart, T. & Weibel, P. (2015). mARChive, Chronus Art Center, Shanghai, China.

Shaw, J. & Del Favero, D. (2015). AVIE III, Data Arena, UTS, Sydney.

Del Favero, D., Shaw, J., Benford, S. & Goebel, J. (2014-20). Scenario, ‘Jeffrey Shaw & Hu Jieming Twofold Exhibition’, Chronus Arts Center, Shanghai, China.

Del Favero, D. (2015). Nebula I, in Kronenberg Wright Artists Projects, Sydney.

Del Favero, D., Shaw, J., Brown, N.C. & Weibel, P. (2014). T_Visionarium III, ‘Jeffrey Shaw & Hu Jieming Twofold Exhibition’, Chronus Art Center, Shanghai, China.

Del Favero, D., Shaw, J., Brown, N.C., Compton, P., Pagnucco, M., Van Schaik, A., Jin, C., Seah, H., Weibel, P., Kenderdine, S., Hart, T., Fritz, J. & Kuchelmeister, V. (2014). PLACE-Hampi, ‘Jeffrey Shaw & Hu Jieming Twofold Exhibition’, Chronus Art Center, Shanghai, China.

Del Favero, D., Brown, N., Compton, P., Shaw. J., Ip, H., Kenderdine, S., Hart, T. & Weibel, P. (2014). iDATA, ZKM|Center for Art & Media, Karlsruhe, Germany.

Del Favero, D. & Shaw, J. (2014-25). AVIE III, ‘Jeffrey Shaw & Hu Jieming Twofold Exhibition’, Chronus Art Center, Shanghai, China.

Del Favero, D. (2014). _Firewall (Cassandra, Descartes, Dolomites, Lenz), William Wright Artists Projects, Sydney.

Del Favero, D. (2014). Todtnauberg, in ‘Film Cologne’ for ‘Art Cologne’, Cologne, Germany.

Del Favero, D., Shaw, J., Benford, S. & Goebel, J. (2014). Scenario, in ‘Child, Nation and World Cinema Symposium’, UNSW, Sydney.

Del Favero, D. & Shaw, J. (2014). AVIE III, in ‘Child, Nation and World Cinema Symposium’, Sydney.

Kuchelmeister, V., Bennet, J. & Del Favero, D. (2014). Amnesia Atlas, in ‘20th International Conference on Virtual Systems & Multimedia (VSMM2016)’, ALiVE – Applied Laboratory of Interactive Visualization & Embodiment, CityU, Hong Kong, China.

Shaw, J. & Del Favero, D. (2014). AVIE II, in ‘20th International Conference on Virtual Systems & Multimedia (VSMM2016)’, ALiVE – Applied Laboratory of Interactive Visualization & Embodiment, CityU, Hong Kong, China.

Kuchelmeister, K., Bennett, J. & Del Favero, D. (2014). Amnesia Atlas, in ‘Signs of Life: Brain and Amnesia Week’, UNSW Galleries, Sydney.

Waller, S., Dixit, V., Bliemer, M. & Del Favero, D. (2014). TRACSLab, UNSW, Sydney.

Del Favero, D., Shaw, J., Benford, S. & Goebel, J. (2013). Scenario, in ‘International Symposium of Electronic Arts 2013 (ISEA2013)’, UNSW, Sydney.

Del Favero, D. & Shaw, J. (2013). AVIE III, in ‘International Symposium of Electronic Arts 2013 (ISEA2013)’, UNSW, Sydney.

Del Favero, D. (2013). Motel Vilina Vlas, in ‘Collective Identity(ies)’, Lake Macquarie City Art Gallery, Lake Macquarie.

Shaw, J. & Del Favero, D. (2013). AVIE III, in ‘Festival d’Avignon’, Avignon, France.

Shaw, J. & Del Favero, D. (2013). AVIE III, in ‘10th Shanghai Biennal’, Power Station of Art, Shanghai, China.

Shaw, J. & Del Favero, D. (2013). AVIE III, in ‘SIGGRAPH Asia’, Hong Kong, China.

Shaw, J. & Del Favero, D. (2013). AVIE III, in ‘Hong Kong Book Fair’, Hong Kong, China.

Shaw, J. & Del Favero, D. (2013). AVIE III, in ‘Limited Knowledge’, Hong Kong, China.

Del Favero, D. (2012). Magnesium Light, John Curtin Gallery, Perth.

Shaw, J. & Del Favero, D. (2012). AVIE II, in ‘Business of Design Week’, Hong Kong, China.

Shaw, J. & Del Favero, D. (2012). AVIE II, in ‘NODEM’, Hong Kong, China.

Shaw, J. & Del Favero, D. (2012). AVIE II, Arthur M. Sackler Gallery, Smithsonian Institution, Washington DC, USA.

Waller, S., Dixit, V., Bliemer, M. & Del Favero, D. (2012). TRACSLab, Transport & Planning Department, Delft, Netherlands

Waller, S., Dixit, V., Bliemer, M. & Del Favero, D. (2012). TRACSLab, Centre for Economic Analysis of Risk, Atlanta, USA.

Del Favero, D. (2012). Construction Safety, Brookfield Multiplex, Sydney.

Del Favero, D. (2012). Todtnauberg, John Curtin Gallery, Perth.

Del Favero, D., Shaw, J., Hardjono, A., McGinity, M. & Kuchelmeister, V. (2012). iCASTS, Shenyang Research Institute, Fushun, China.

Shaw, J. & Del Favero, D. (2011). AVIE II, in ‘NIEA Experimental Arts Double Conference’, UNSW, Sydney.

Del Favero, D., MacGregor, A. & Sewell, S. (2011). Magnesium Light & Todtnauberg, University of Queensland Art Museum, Brisbane.

Del Favero, D. (2011). Deep Sleep, in ‘Remoteness’, The Block & Parer Place Urban Screen, Queensland University of Technology, Brisbane.

Shaw, J., Del Favero, D., Brown, N.C., Compton, P., Pagnucco, M., Van Schaik, A., Jin, C., Seah, H., Weibel, P., Kenderdine, S., Hart, T. & Fritz, J. (2011). PLACE-Hampi, in ‘Inaugural Exhibition’, ALiVE – Applied Laboratory of Interactive Visualization & Embodiment, Hong Kong, China.

Shaw, J. & Del Favero, D. (2011). AVIE II, ALiVE – Applied Laboratory of Interactive Visualization & Embodiment, Hong Kong, China.

Del Favero, D., Shaw, J., Benford, S. & Goebel, J. (2011). Scenario, in ‘Sydney Film Festival’, Sydney.

Shaw, J. & Del Favero, D. (2011). AVIE II, in ‘Sydney Film Festival’, Sydney.

Shaw, J. & Del Favero, D. (2011). AVIE II, in ‘Festival d’Avignon’, Avignon, France.

Shaw, J. & Del Favero, D. (2011). AVIE II, in ‘Matter-Light’, Bethune, France.

Del Favero, D. & Hardjono, A. (2010-20). Volcanic 3D, in ‘Dynamic Earth’, Melbourne Museum, Melbourne.

Del Favero, D., Shaw, J., Benford, S., Goebel, J., Sewell, S. & Pagnucco, M. (2010). Scenario, in ‘15th Biennial Film & History Conference’, UNSW, Sydney.

Shaw, J. & Del Favero, D. (2011). AVIE II, in ‘15th Biennial Film & History Conference’, UNSW, Sydney.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2010). T_Visionarium III, in ‘STRP Festival’, Strijp R Klokgebouw, Eindhoven, Netherlands.

Shaw, J. & Del Favero, D. (2010-20). AVIE II, Melbourne Museum, Melbourne.

Shaw, J. & Del Favero, D. (2010). AVIE II, in ‘STRP Festival’, Strijp R Klokgebouw, Eindhoven, Netherlands.

Del Favero, D. (2010). Todtnauberg, Boutwell Draper Gallery, Sydney.

Del Favero, D., Shaw, J., Hardjono, A., McGinity, M. & Kuchelmeister, V. (2010). iCASTS, ‘APPEA Conference’, Convention & Exhibition Centre, Brisbane.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2010). T_Visionarium II, in ‘Inaugural Exhibition’, Applied Laboratory of Interactive Visualization & Embodiment, Hong Kong, China.

Shaw, J. & Del Favero, D. (2010). AVIE II, in ‘Inaugural Exhibition’, ALiVE – Applied Laboratory of Interactive Visualization & Embodiment, Hong Kong, China.

Del Favero, D. (2010). Deep Sleep, in ‘Once Upon a Time’, Galerie Marion Scharmann, Cologne, Germany.

Shaw, J. & Del Favero, D. (2010). AVIE II, in ‘Digital Life’, La Pelanda, Rome, Italy.

Shaw, J. & Del Favero, D. (2010). AVIE II, in ‘APPEA Conference & Exhibition’, Brisbane Convention Centre, Brisbane.

Shaw, J. & Del Favero, D. (2010). AVIE II, in ‘Energy Field Days’, Sydney Showground, Sydney.

Shaw, J., Del Favero, D., Brown, N., Kuchelmeister, V., Papastergiadis, N., McQuire, S. & Arthur, A. (2010). iDOME, Powerhouse Museum, Sydney.

Del Favero, D. with Sewell, S. & MacGregor, T. (2010). Cross Currents, ABC Radio National.

Del Favero, D., Hardjono, A. & Kuchelmeister, V. (2010). Voyage to the Planets (platform), broadcast on ABC TV.

Del Favero, D. (2010). Construction VR, UNSW, Sydney.

Del Favero, D. & Shaw, J. (2010). ¬_(dis)LOCATIONS_, in ‘Imagining Media’, ZKM|Center for Art & Media, Karlsruhe, Germany.

Shaw, J. & Del Favero, D. (2009). AVIE II, in ‘Imagining Media’, ZKM|Center for Art & Media, Karlsruhe, Germany.

Del Favero, D. (2009). Forgetful Sky, Boutwell Draper Gallery, Sydney.

Del Favero, D. (2009). Pentimento & Cross Currents, in ‘IMAGINING MEDIA@ZKM’, ZKM Media Museum, Karlsruhe, Germany.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2009). Open City, in ‘International Architecture Biennale’, Zuiderkirk, Amsterdam & ‘International Documentary Film Festival’, Erasmus Bridge Tower, Rotterdam, Netherlands.

Shaw, J. & Del Favero, D. (2009). AVIE II, in ‘International Architecture Biennale’, Zuiderkirk, Amsterdam & ‘International Documentary Film Festival’, Erasmus Bridge Tower, Rotterdam, Netherlands.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2009). T_Visionarium III, in ‘International Architecture Biennale’, Zuiderkirk, Amsterdam, Netherlands.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2009). T_Visionarium III, in ‘Un Volcan Numerique’, Le Volcan Scene Nationale du Havre, Le Havre, France.

Shaw, J. & Del Favero, D. (2009). AVIE II in ‘Un Volcan Numerique’, Le Volcan Scene Nationale du Havre, Le Havre, France.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2009). T_Visionarium II in ‘Second Nature’, Aix-en-Provence, France.

Shaw, J. & Del Favero, D. (2009). AVIE II in ‘Second Nature’, Aix-en-Provence, France.

Del Favero, D. (2009). Magnesium Light, Galerie Marion Scharmann, Cologne, Germany.

Del Favero, D. (2009). Magnesium Light, ‘Works on Paper’, Boutwell Draper Gallery, Sydney.

Del Favero, D. (2009). Cross Currents, in ‘In Search of Utopia’, Galway Art Centre, Galway, Ireland.

Shaw, J., Del Favero, D., Brown, N., Compton, P., Pagnucco, M., Van Schaik, A., Jin, C., Seah, H., Weibel, P., Kenderdine, S., Hart, T., Fritz, J. & Kuchelmeister, V. (2009). Ancient Hampi, Immigration Museum, Melbourne.

Shaw, J. & Del Favero, D. (2009). AVIE II, Immigration Museum, Melbourne.

Del Favero, D. (2009). Deep Sleep, in ‘Langue Froid – Cold Language/Cold Tongue’, Conny Dietzschold Gallery, Sydney.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2009). T_Visionarium III_, in ‘YOUniverse’, ZKM Museum of Contemporary Art, Karlsruhe, Germany.

Shaw, J., Del Favero, D., Brown, N., Kuchelmeister, V., Papastergiadis, N., McQuire, S. & Arthur, A. (2009). iDOME, in ‘Darling River Journey’, Back of Bourke Exhibition Centre, Bourke.

Del Favero, D. (2009). Parting Embrace, in ‘Somasex’, Macquarie University Gallery, Sydney.

Del Favero, D. & Hardjono, A. (2009). Biodiversity, Australian Museum, Sydney.

Del Favero, D. (2009). Dead Heat: Halflife & 45 Minutes, ZKM, Karlsruhe, Germany.

Del Favero, D. (2009). Dead Heat: Halflife & 45 Minutes, Ivan Dougherty Gallery, Sydney.

Shaw, J., Del Favero, D., Brown, N., Compton, P., Pagnucco, M., Van Schaik, A., Jin, C., Seah, H., Weibel, P., Kenderdine, S., Hart, T., Fritz, J. & Kuchelmeister, V. (2008). PLACE-Hampi, in ‘eARTS Festival: eLandscapes’, Shanghai Zendai Museum of Modern Art, Shanghai, China.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2008). T_Visionarium III, in ‘eARTS Festival: eLandscapes’, Shanghai Zendai Museum of Modern Art, Shanghai, China.

Shaw, J. & Del Favero, D. (2008). AVIE I in ‘eARTS Festival: eLandscapes’, Shanghai Zendai Museum of Modern Art, Shanghai, China.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2008). T_Visionarium II, in ‘Biennial of Seville’, Alhambra, Granada, Spain.

Shaw, J. & Del Favero, D. (2008). AVIE I in ‘Biennial of Seville’, Alhambra, Granada, Spain.

Del Favero, D., Shaw, J., Brown, N. & Weibel, P. (2008). T_Visionarium III, in ‘Sydney Festival’, UNSW, Sydney.

Shaw, J. & Del Favero, D. (2008). AVIE I in ‘Sydney Festival’, Sydney.

Del Favero, D. (2008). Eclipse_, in ‘UnImaginable’, ZKM|Center for Art & Media, Karlsruhe.

Del Favero, D. (2008). Eclipse, Ivan Dougherty Gallery, Sydney.

Del Favero, D. (2008). Eclipse, in ‘Bienniale of Australian Art’, Art Gallery of South Australia, Adelaide.

Del Favero, D. (2008). Dead Heat: Halflife & 45 Minutes, in ‘Biennial of Australian Art’, Art Gallery of South Australia, Adelaide.

Del Favero, D. (2008). Dead Heat: Halflife & 45 Minutes, Galerie Marion Scharmann, Cologne, Germany.

Del Favero, D., Shaw, J., Hardjono, A., McGinity, M. & Kuchelmeister, V. (2008-25). iCASTS, installed in Mines Rescue Pty. Ltd. Australian facilities: Argenton; Lithgow; Singleton; Woonona.

Shaw, J. & Del Favero, D. (2008). AVIE I, installed in Mines Rescue Pty. Ltd. Australian facilities: Argenton; Lithgow; Singleton; Woonona.

Del Favero, D., Shaw, J., Hardjono, A., McGinity, M. & Kuchelmeister, V. (2008). iCASTS, in ‘Simulation – Maximising Organisational Benefits’, SimTech Conference, Melbourne Convention & Exhibition Centre, Melbourne.

Shaw, J., Del Favero, D., Brown, N., Kuchelmeister, V., Papastergiadis, N., McQuire, S. & Arthur, A. (2008). iDOME, Australasian Planetarium Society Conference, Horizon Planetarium, Perth.

Del Favero, Dennis, Shaw, Jeffrey, Brown, Neil & Weibel, Peter (2007). T_Visionarium, in ‘YOUser: Century of the Consumer’, ZKM, Karlsruhe, Germany.

Shaw, J & Del Favero, D (2007). AVIE, in ‘YOUser: Century of the Consumer’, ZKM, Karlsruhe, Germany.

Del Favero, Dennis, Shaw, Jeffrey, Brown, Neil & Weibel, Peter (2007). T_Visionarium, in ‘Panorama Festival’, ZKM, Karlsruhe, Germany.

Shaw, J & Del Favero, D (2007). AVIE, in ‘Panorama Festival’, ZKM, Karlsruhe, Germany.

Del Favero, D, Shaw, J, Brown, N, Compton, P, Pagnucco, M, Van Schaik, A, Jin, C, Seah, H, Weibel, P, Kenderdine, S, Hart, T & Fritz, J et al. (2007). PLACE-Hampi, in ‘Panorama Festival’, ZKM, Karlsruhe, Germany.

Shaw, J & Del Favero, D (2007). AVIE, in ‘YOU_niverse’, ZKM, Karlsruhe, Germany.

Shaw, J & Del Favero, D (2007). AVIE, EMPAC, Rensselaer University, New York, USA.

Shaw, J & Del Favero, D (2007). AVIE, in ‘From Spark to Pixel’, Martin-Gropius-Bau, Berlin, Germany.

Del Favero, D, Shaw, J, Brown, N, Compton, P, Pagnucco, M, Van Schaik, A, Jin, C, Seah, H, Weibel, P, Kenderdine, S, Hart, T & Fritz, J et al. (2007). PLACE-Hampi, in ‘From Spark to Pixel’, Martin-Gropius-Bau, Berlin, Germany.

Shaw, J & Del Favero, D (2007). AVIE, in ‘i.Future Festival’, Science Centre, Singapore.

Del Favero, D, Shaw, J, Brown, N, Compton, P, Pagnucco, M, Van Schaik, A, Jin, C, Seah, H, Weibel, P, Kenderdine, S, Hart, T & Fritz, J et al. (2007). PLACE-Hampi, in ‘i.Future Festival’, Science Centre, Singapore.

Shaw, J & Del Favero, D (2007). AVIE, in ‘Australian Council of University Art & Design Schools Conference’, UNSW, Sydney.

Shaw, J & Del Favero, D (2007). AVIE, in ‘AIMEX Australian Mining Industry Conference’, Sydney.

Del Favero, D (2007), Deep Sleep, in ‘Kava Kava’, Kunstmuseum Mülheim, Mülheim, Germany.

Del Favero, D (2007). Apparitions, Galerie Marion Scharmann, Cologne, Germany.

Del Favero, D (2007). Threshold, in ‘5x5’, Ivan Dougherty Gallery, Sydney.

Del Favero, D (2006). Pentimento, in ‘Fantasmi’, Sprengel Museum, Hanover, Germany.

Del Favero, D (2006), Deep Sleep, in ‘For Matthew & Others’, Campbelltown Arts Centre, Sydney.

Del Favero, D (2006), Deep Sleep, in ‘Crash’, Lawrence Wilson Gallery, Perth.

Shaw, J & Del Favero, D (since 2006). AVIE, Kaladham Museum, Karnataka, India.

Del Favero, D, Shaw, J, Brown, N, Compton, P, Pagnucco, M, Van Schaik, A, Jin, C, Seah, H, Weibel, P, Kenderdine, S, Hart, T & Fritz, J et al. (since 2006). PLACE-Hampi (ANCIENT HAMPI MUSEUM), Kaladham Museum, Karnataka, India.

Del Favero, Dennis, Shaw, Jeffrey, Brown, Neil & Weibel, Peter (2006). T_Visionarium, in ‘Artescienza: La Rivoluzione Algorithmica, Spazio Deformato’, Casa Dell’Architettura, Rome, Italy.

Shaw, J & Del Favero, D (2006). AVIE, in ‘La Rivoluzione Algoritmica, Artescienza: Spazio Deformato’, Casa dell’Architettura, Rome, Italy.

Shaw, J & Del Favero, D (2006). AVIE, in ‘Lille3000 Festival, Bombaysers de Lille’, Rotonde de L’Opera, Lille, France.

Del Favero, D (2006) Parting Embrace, in ‘Points of View: Australian Photography 1985-95’, AGNSW, Sydney.

Del Favero, D, Shaw, J, Brown, N, Compton, P, Pagnucco, M, Van Schaik, A, Jin, C, Seah, H, Weibel, P, Kenderdine, S, Hart, T & Fritz, J et al. (2006). PLACE-Hampi, in ‘Lille3000 Festival, Bombaysers de Lille’, Rotonde de L’Opera, Lille, France.

Del Favero, D (2006). Dead Heat: Halflife & 45 Minutes, in ‘Art Amsterdam’, Amsterdam, Netherlands.

Del Favero, D, Shaw, J, Gibson, R & Howard, I (2006). Conversations, Scientia, UNSW, Sydney.

Del Favero, D (2006). Fold, in ‘Contemporary Australian Photography’, AGNSW, Sydney.

Shaw, J, Del Favero, D, Brown, N, Kuchelmeister, V, Papastergiadis, N, McQuire, S, Arthurs, A, Kenderdine, S, Sumption, K & Cochrane, G (2005-12), Conversations at the Studio, Powerhouse Museum, Sydney.

Shaw, J, Del Favero, D, Brown, N, Kuchelmeister, V, Papastergiadis, N, McQuire, S, Arthurs, A, Kenderdine, S, Sumption, K & Cochrane, G (2005-07), Conversations at the Studio, in ‘Darling River Journey’, Back of Bourke Exhibition Centre, Bourke.

Del Favero, Dennis, Shaw, Jeffrey, Brown, Neil & Weibel, Peter (2005). T_Visionarium, in ‘Avignon Festival’, France.

Shaw, J & Del Favero, D (2005). AVIE, in ‘Festival d’Avignon’, Avignon, France.

Del Favero, D (2005), Deep Sleep, in ‘Line of Flight’, China Millennium Museum, Beijing, China.

Del Favero, D (2005), Deep Sleep, in ‘Out of the Body Encounters’, Experimental Art Foundation, Adelaide.

Del Favero, D (2005), Deep Sleep, in ‘Videonale 5’, Kunstmuseum Bonn, Bonn, Germany.

Del Favero, D (2005), Deep Sleep, in ‘Preview Berlin’, Berlin, Germany.

Del Favero, D (2005). Pentimento, in ‘New Acquisitions’, ZKM, Karlsruhe, Germany.

Del Favero, D & Shaw, J (2005). (dis)LOCATIONS, ZKM, Karlsruhe, Germany.

Del Favero, D & Shaw, J (2005). (dis)LOCATIONS, in ‘Fantasmi’, Sprengel Museum, Hanover, Germany.

Del Favero, D, Shaw, J, Gibson, R & Howard, I (2004-05). Conversations, Powerhouse Museum, Sydney.

Del Favero, D & Shaw, J (2004). (dis)LOCATIONS, Ivan Dougherty Gallery, Sydney.

Shaw, J & Del Favero, D (2004). AVIE, ZKM, Karlsruhe, Germany.

Shaw, J & Del Favero, D (2004). AVIE, in ‘Cinémas du Futur, Lille 2004 Capitale Européenne de la Culture’, Centre Euralille, Lille, France.

Del Favero, D (2004), Deep Sleep, Galerie Andreas Binder, Munich, Germany.

Del Favero, D (2004), Deep Sleep, Mori Gallery, Sydney.

Del Favero, D (2004), Deep Sleep, Implant Art, Bonn, Germany.

Del Favero, D (2004), Deep Sleep, Sprengel Museum, Hanover, Germany.

Del Favero, D (2004), Deep Sleep, Ivan Dougherty Gallery, Sydney.

Del Favero, D (2004). Pentimento, Ivan Dougherty Gallery, Sydney.

Del Favero, D, Sewell, S & MacGregor, T (2004). Chelmsford (radio drama), Broadcast ABC Radio National.

Del Favero, D (2004). Fantasmi, Sprengel Museum, Hanover, Germany.

Del Favero, D (2004). Fantasmi, Ivan Dougherty Gallery, Sydney.

Del Favero, D (2004). Ombelico, in ‘Implant Art’, Bonn, Germany.

Del Favero, D (2004). Ombelico, Galerie Andreas Binder, Munich, Germany.

Del Favero, D & Shaw, J (2003). (dis)LOCATIONS, Galerie Andreas Binder, Munich, Germany.
Del Favero, D & Shaw, J (2003). (dis)LOCATIONS, in ‘Reverberation’, ACMI, Melbourne.

Del Favero, D & Shaw, J (2003). (dis)LOCATIONS, in ‘Future Cinema’, Kiasma Museum for Contemporary Art, Helsinki, Finland.

Del Favero, D & Shaw, J (2003). (dis)LOCATIONS, in ‘Future Cinema’, NTT InterCommunication Centre, Tokyo, Japan.

Del Favero, D & Shaw, J (2003). (dis)LOCATIONS, in ‘Future Cinema’, ZKM, Karlsruhe, Germany.

Del Favero, D (2003). Pentimento, Galerie Andreas Binder, Munich, Germany.

Del Favero, D (2003). Pentimento, in ‘Future Cinema’, Kiasma Museum for Contemporary Art, Helsinki, Finland.

Del Favero, D (2003). Pentimento, in ‘Future Cinema’, NTT Inter-Communication Centre, Tokyo, Japan.

Del Favero, D (2003). Pentimento, in ‘Future Cinema’, ZKM, Karlsruhe, Germany.

Del Favero, D (2003). Pentimento, in ‘Selected Works from the ACMI Collection’, ACMI, Melbourne.

Del Favero, D (2003). Cross Currents, in ‘Global Priority’, Jamaica Centre, New York, USA.

Del Favero, D (2003). Cross Currents, in ‘Global Priority’, Pier 2, Kaohsiung (Taiwan).

Del Favero, D (2003). Cross Currents, in ‘Audioteque’, Opera House, Sydney.

Del Favero, D & Shaw, J (2002). (dis)LOCATIONS, Mori Gallery, Sydney.

Del Favero, D & Shaw, J (2002). (dis)LOCATIONS, Galerie Andreas Binder, Munich, Germany.

Del Favero, D (2002). Pentimento, 2002: Mori Gallery, Sydney.

Del Favero, D (2002). Pentimento, Broadcast ABC Radio National.

Del Favero, D (2002). Sottovoce, AGNSW, Sydney.

Del Favero, D & Shaw, J (2001). (dis)LOCATIONS, in ‘(dis)LOCATIONS’, ACMI, Melbourne.

Del Favero, D (2001). Pentimento, Galerie Andreas Binder, Munich, Germany;

Del Favero, D (2001). Pentimento, in ‘(dis)LOCATIONS’, ACMI, Melbourne.

Del Favero, D (2001). Cross Currents, in ‘Electronic/Digital’, Gertrude Posel Gallery, Johannesburg.

Del Favero, D (2001). Threshold, Kunstverein Pforzheim, Pforzheim, Germany.

Del Favero, D (2001). Angelo Nero, Kunstverein Pforzheim, Pforzheim, Germany. Del Favero, D (2001). Angelo Nero, in ‘Morphologies’, Ivan Dougherty Gallery, Sydney.

Del Favero, D (2001). Mors Tua, Broadcast ABC Radio National.

Del Favero, D (2001). Requiem, Kunstbunker Tumulka, Munich, Germany.

Del Favero, D (2000). Cross Currents, John Curtin Gallery, Perth.

Del Favero, D (2000). Cross Currents, in ‘Journeys into Dreamland’, Ffotogallery, Cardiff, England.

Del Favero, D (2000). Cross Currents, in ‘d>art’, City Exhibition Space, Sydney. Del Favero, D (2000). Cross Currents, Australian Centre for Photography, Sydney.

Del Favero, D (2000). Cross Currents, in ‘Click’, Regional Galleries at Mildura, Bendigo, Geelong, Latrobe & Swan Hill.

Del Favero, D (2000). Cross Currents, Broadcast ABC Radio National.

Del Favero, D, Sewell, S & MacGregor, T (2000). Foreign Bodies (radio drama), Broadcast ABC Radio National.

Del Favero, D (2000). Requiem, John Curtin Gallery, Perth.

Del Favero, D (1999). Cross Currents, Kunstverein Rosenheim, Rosenheim, Germany. Del Favero, D (1999). Cross Currents, ZKM, Karlsruhe, Germany.

Del Favero, D (1999) Parting Embrace, Centre for Contemporary Photography, Melbourne.

Del Favero, D (1999). Threshold, in ‘Der anagrammatische Körper’, Kunsthaus Mürzzuschlag, Mürzzuschlag, Austria.

Del Favero, D (1999). Threshold, ZKM, Karlsruhe, Germany.

Del Favero, D (1999). Mors Tua, in ‘Steirischer Herbst’, Neue Galerie, Graz, Austria.

Del Favero, D (1999). Requiem, in ‘Steirischer Herbst’, Landeszeughaus, Graz, Austria.

Del Favero, D (1999). Mors Tua, John Curtin Gallery, Perth.

Del Favero, D (1999). Yugoslavian War Trilogy, Australian Centre for Photography, Sydney.

Del Favero, D (1998) Parting Embrace, Viafarini, Milan, Italy.

Del Favero, D (1998). Motel Vilina Vlas, in ‘Fotofeis’, Mansfield Place Church, Edinburgh, Scotland.

Del Favero, D (1998). Motel Vilina Vlas, in ‘Fotofeis’, Arches Nightclub, Glasgow, Scotland.

Del Favero, D (1998). Prima Facie, in ‘Mirages: From Post-Photography to Cyberspace’, Fundacio La Caixa, Barcelona, Spain.

Del Favero, D (1998). Prima Facie, in ‘Telling Tales’, Ivan Dougherty Gallery, Sydney.

Del Favero, D (1997). Motel Vilina Vlas, in ‘Sarajevo’, Ivan Dougherty Gallery, Sydney.

Del Favero, D (1997). Motel Vilina Vlas, in ‘Berlin Art Forum’, Berlin, Germany.

Del Favero, D (1997). Coming Apart, Kunstverein Prenzlauer Berg, Berlin, Germany.

Del Favero, D (1997). Coming Apart, Australian Centre for Photography, Sydney.

Del Favero, D (1996). Motel Vilina Vlas, Galerie Andreas Weiss, Berlin, Germany.

Del Favero, D (1996). Motel Vilina Vlas, Münchner Stadtmuseum, Munich, Germany.

Del Favero, D (1996). Motel Vilina Vlas, Australian Centre for Contemporary Art, Melbourne.

Del Favero, D (1996). Motel Vilina Vlas, in ‘Sex & Crime’, Sprengel Museum, Hanover, Germany.

Del Favero, D (1996). Motel Vilina Vlas, in ‘Kriegszustand’ (with Jenny Holzer), Battle of the Nations War Memorial, Leipzig, Germany.

Del Favero, D (1996). Motel Vilina Vlas, in ‘Remote Connections’, Neue Galerie, Graz, Austria.

Del Favero, D (1996). Motel Vilina Vlas, Waino Aaltosen Museum, Turku, Finland.

Del Favero, D (1996). Motel Vilina Vlas, Teddy Kolleck Sports Stadium, Jerusalem, Israel. Del Favero, D (1996). Motel Vilina Vlas, in ‘Basel Art Fair’, Basel, Switzerland.

Del Favero, D (1996). Motel Vilina Vlas, in ‘Frankfurt Art Fair’, Frankfurt, Germany.

Del Favero, D (1996) Parting Embrace, Mori Gallery, Sydney.

Del Favero, D (1996). Prima Facie, in ‘Recent Acquisitions of Contemporary Australian Art’, NGV, Melbourne.

Del Favero, D (1996). Prima Facie, in ‘Body’, AGNSW, Sydney.

Del Favero, D (1996). Prima Facie, in ‘Art Basel’, Basel, Switzerland.

Del Favero, D (1996). Prima Facie, in ‘Art Chicago’, Chicago, USA.

Del Favero, D (1996). Pieta, in ‘Remote Connections’, Nikolaj Contemporary Art Centre, Copenhagen, Denmark.

Del Favero, D (1996). Pieta, Galerie Andreas Weiss, Berlin, Germany.

Del Favero, D (1995). Motel Vilina Vlas, in ‘Art Cologne’, Cologne, Germany.

Del Favero, D (1995). Motel Vilina Vlas, Mori Gallery, Sydney.

Del Favero, D (1994). Prima Facie, in ‘True Stories’, Artspace, Sydney.

Del Favero, D (1994). Pieta, in ‘Biennale of Australian Art’, with scenario URBANO, AGSA, Adelaide.

Del Favero, D (1994). Diario, in ‘Reflected Light’, National Gallery of Australia, Canberra.

Del Favero, D (1993). Diario, in ‘Dante’, Chiostri di San Francesco, Ravenna, Italy. Del Favero, D (1993). Diario, in ‘Australian Made’, College of Applied Arts, Prague, Czech Republic.

Del Favero, D (1993). Underground, in ‘Working in Public’, with scenario URBANO, Artspace, Sydney.

Del Favero, D (1993). Prima Facie, Mori Gallery, Sydney.

Del Favero, D (1993). Prima Facie, Wollongong City Gallery, Wollongong.

Del Favero, D (1991). Diario, Ian Potter Gallery, Melbourne.

Del Favero, D (1991). Diario, Experimental Art Foundation, Adelaide.

Del Favero, D (1991). Diario, Wollongong City Gallery, Wollongong.

Del Favero, D (1990). Diario, Mori Gallery, Sydney

Del Favero, D (1990). Diario, Queensland Art Gallery, Brisbane.

Del Favero, D (1990). Diario, AGNSW, Sydney.

Del Favero, D (1990). Linea Di Fuoco, in ‘Fragmentations & Fabrications: Recent Australian Photography’, AGSA, Adelaide

Del Favero, D (1990). Linea Di Fuoco, in ‘Aurora Australis’, Presentation House Gallery, Vancouver, Canada.

Del Favero, D (1990). Linea Di Fuoco, Winnipeg Art Gallery, Winnipeg, Canada.

Del Favero, D (1990). Linea Di Fuoco, Nicol Art Museum, Calgary, Canada.

Del Favero, D (1990). Linea Di Fuoco, Windsor Art Gallery, Windsor, Canada.

Del Favero, D (1988). Linea Di Fuoco, in ‘Australian Photography 1888-1988’, Australian National Gallery, Canberra.

Del Favero, D (1988). Line of Fire (radio drama), Broadcast ABC Radio National.

Del Favero, D (1987). Linea Di Fuoco, in ‘Australian Video Festival’, AGNSW, Sydney.

Del Favero, D (1987). Linea Di Fuoco, SA School of Art Gallery, Adelaide.

Del Favero, D (1987). Linea Di Fuoco, Praxis Gallery, Freemantle.

Del Favero, D (1987). Linea Di Fuoco, University of Tasmania, School of Art Gallery, Hobart.

Del Favero, D (1985). Red Sails in the Sunset, Stage Design for Midnight Oil concerts, World Tour.

Del Favero, D (1985). Scenario N5, Australian Centre for Photography, Sydney.

Del Favero, D (1985). Those Final Moments, in ‘Perspecta’, AGNSW, Sydney.

Del Favero, D (1985). Those Final Moments, Radio Drama, Broadcast - ABC Radio National.

Del Favero, D (1984). Those Final Moments, University of Sydney, Sydney.

Del Favero, D (1984). Those Final Moments, UTS, Sydney.

Del Favero, D (1984). Those Final Moments, Australian Centre for Photography, Sydney.

Del Favero, D (1984). Those Final Moments, School of Art, University of Tasmania, Hobart.

Del Favero, D (1981). Welcome the Bright World, Stage Design for Stephen Sewell play, Nimrod Theatre, Sydney.
Del Favero, D., Thurow, S., Ostwald, M.J. & Frohne, U. (2024). Climate Disaster Preparedness. Reimagining Extreme Events through Art and Technology. Cham: Springer Nature. DOI: 10.1007/978-3-031-56114-6

Del Favero, D., Frohne, U. & Weibel, P. (Eds.) (2008). Un-Imaginable. Osfildern: Hatje Cantz.

D. Del Favero and J. Shaw (eds.) (2001). (dis)LOCATIONS. Karlsruhe/Sydney: ZKM/UNSW Press.
Thurow, S., D. Del Favero, J.J. Sharples, K. Moinuddin & C. Green (2026, forthcoming, in print). “Applying an Immersive Intelligent Aesthetic to Wildfire Visualisation: Exploring Terrestrial Agency,” in S. Parry, A. Senior & P. Johnson (eds), The Routledge Companion to Performance and Science (pp. tbc). Abingdon/New York: Routledge.

Ostwald, M., D. Del Favero and G. Drummond (2025 – forthcoming, in print). "iFire: A Visualisation Environment for Training First Responders and Emergency Commanders," in N. Gu and B. Thomas (eds), Immersive Virtual Environments in Design and Collaboration (pp. tbc). CRC Press. (accepted 12 Nov 2024)

Del Favero, D., Thurow, S., Ostwald, M.J. & Frohne, U. (2024). ‘Introduction’, Climate Disaster Preparedness. Reimagining Extreme Events through Art and Technology (pp. 1-3). Cham: Springer Nature. DOI: 10.1007/978-3-031-56114-6_1.

Del Favero, D., Thurow, S., Pagnucco, M. & Frohne, U. (2024). ‘Reimagining Extreme Event Scenarios: The Aesthetic Visualisation of Climate Uncertainty to Enhance Preparedness’, Climate Disaster Preparedness. Reimagining Extreme Events through Art and Technology (pp. 7-24). Cham: Springer Nature. DOI: 10.1007/978-3-031-56114-6_2.

Cunningham, S., Park, S., McCallum, K., Del Favero, D. & Fulton, J. (2024). ‘Culture, Creativity, and Climate: A

Dangerous Gap in Policies of Preparedness’, Climate Disaster Preparedness. Reimagining Extreme Events through Art and Technology (pp. 169-181). Cham: Springer Nature. DOI:10.1007/978-3-031-56114-6_13.

Ostwald, M.J., Thurow, S., Del Favero, D. & Scott-Mitchell, M. (2024). ‘Multimodal Collaborative Design in an Immersive Virtual Environment: Opera Staging and Performance Design Using iModel’, Multimodality in Architecture (pp. 113–133). Cham: Springer Nature. DOI: 10.1007/978-3-031-49511-3_7.

Del Favero, D. & Thurow, S. (2021). ‘On Human and Machine Co-Agency in Art,’ in C. Jauernik & W. Tschapeller (eds.), INTRA INTRA. Towards an INTRA SPACE (pp.200-15). Publication Series of the Academy of Fine Arts, Vienna, vol. 25. Berlin: Sternberg Press.

Del Favero, D., Thurow, S. & Frohne, U. (2021). ‘Artificial Intelligence as a Conduit for a New Dialogical Commons?,’ in C. Jauernik & W. Tschapeller (eds.), INTRA INTRA. Towards an INTRA SPACE (pp.254-65). Publication Series of the Academy of Fine Arts, Vienna, vol. 25. Berlin: Sternberg Press.

Thurow, Susanne, Del Favero, Dennis & Wake, Caroline (2020). ‘Dialogical Aesthetics – Reconfiguring Theatrical Spaces through Digital Technology,’ in M. Butte, E. Vomberg & K. Dreckmann (eds.), Technologien des Performativen. Das Theater und seine Techniken (pp.357-66). Bielefeld: transcript. LP170100471, 3 years.

Kenderdine, S., Shaw, J., Del Favero, D. & Brown, N. (2008). ‘Co-Evolutionary Narrative & Virtual Heritage,’ in T. Kvan, Y. Kalay & J. Affleck (Eds.), New Heritage: Beyond Verisimilitude (pp.275-93). Oxfordshire: Routledge.
Cheung, K., Sharples, J., Del Favero, D. & Tirado Cortes, C. (2025). "Dynamic fire-atmosphere interaction in the 2020 Montana Bridger Foothills Wildfire as revealed by WRF-SFIRE simulations," npj Natural Hazards 2.1. DOI: 10.1038/s44304-025-00132-0.

Cortes, C., Thurow, S., Ong, A., Sharples, J., Stevens, G., Bednarz, T. and Del Favero, D. (2024). Analysis of Wildfire Visualization Systems for Research and Training: Are They up for the Challenge of the Current State of Wildfires? IEEE Transactions on Visualization and Computer Graphics 30.7: 4285-4303.
DOI: 10.1109/tvcg.2023.3258440.

Del Favero, D. (2024). "Medusa," Performance Research 129.6 (in press).

Del Favero, D., Thurow, S. & Wallen, L. (2021). “Inhabitable Models – Immersive Intelligent Aesthetics for Scenographic Design,” Theatre & Performance Design 7: 82-95. DOI: 10.1080/23322551.2021.1919488.

Del Favero, D., Thurow, S. & Frohne. U. (2020). “Immersive Intelligent Aesthetics as Conduit for Digital and Public Humanities Research,” magazén – International Journal for Digital & Public Humanities 1(1): 1-18. DOI: 10.30687/mag//2020/01/001.

de Belen, R.A.J., Bednarz, T., Sowmya, A. & Del Favero, D. (2020). “Computer Vision in Autism Spectrum Disorder Research: A Systematic Review of Published Studies from 2009 to 2019,” Translational Psychiatry 10 (333). DOI: 10.1038/s41398-020-01015-w

de Belen, R.A.J., Bednarz, T. & Del Favero, D. (2019). “Combining Mixed Reality and Internet of Things: An Interaction Design Research on Developing Assistive Technologies for Elderly People. Human Aspects of IT for the Aged Population,” Social Media, Games and Assistive Environments, 11593: 291-304.

de Belen, R., Nguyen, H., Filonik, D., Del Favero, D. & Bednarz, T. (2019). “A Systematic Review of the Current State of Collaborative Mixed Reality Technologies: 2013-2018,” AIMS Electronics & Electrical Engineering 3(2): 181-223. DOI:10.3934/ElectrEng.2019.2.181

Brown, N., Barker, T. & Del Favero, D. (2011). “Performing Digital Aesthetics: The Framework for a Theory of the Formation of Interactive Narratives,” Leonardo 44(3): 212-19. DOI: 10.1162/LEON\a\00165
Tirado Cortes, C., Flores Gonzalez, M., Hurley, R.J. & Del Favero, D. (2025). "Designing an Immersive Wildfire Visualization System for Firefighters." In Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems (pp. 1-10). DOI:10.1145/3706599.3719903.

Flores Gonzalez, M., Tirado Cortes, C. & Del Favero, D. (2025). "Tablet as an enabler for Immersive Visceral Experiences." In Proceedings of the Extended Abstracts of the CHI Conference on Human Factors in Computing Systems (pp. 1-9). DOI: 10.1145/3706599.3719955.

Thurow, S., Del Favero, D., Scott-Mitchell, M. & Ostwald, M.J. (2023). ‘Being Together Apart. Integrating Distributed Design Processes through a Real-Time Cyber/Physical Aesthetics’, 36Q @ Prague Quadrennial of Performance Design and Space, Prague, Czech Republic, 10 June 2023.

Del Favero, D., Thurow, S., Frohne, U., Moinuddin, K., Sharma, A. & Song, Y. (2023). ‘Re-Imagining the Climate Emergency Using AI Visualisation’, RE:SOURCE - 10th International Conference on the Histories of Media Art, Science & Technology, Venice Centre for Digital & Public Humanities, Università Ca’Foscari Venice, Italy, 15 September 2023.

Del Favero, D., Thurow, S., Blackler, A. & Asadipour, A. (2023). ‘Terrestrial Aesthetics. Transforming the Understanding of and Engagement with Extreme Events’, ’Arts and Humanities in Digital Transition’ Conference, Institute of Communication, Nova University of Lisbon, Portugal, 7 July 2023.

Thurow, S., Del Favero, D., Ostwald, M. & Grehan, H. (2023). Augmenting Creative Symbiosis Using a Cyber/Physical Aesthetic. In Proceedings of the 28th International Symposium on Electronic Art (pp. 690 - 696). Paris: ISEA & & Le Cube Garges and the École des Arts Décoratifs.

Del Favero, D., Thurow, S., Stevens, G., Sharples, J. & Davidson, J. (2022). Visualizing the Unpredictable Behavior of Wildfires Using an Artificially Intelligent Aesthetic. In P. Alsina, I. Vila, S. Tesconi, J. Soler-Adillon & E. Mor (eds.), Proceedings of the 27th International Symposium on Electronic Art (pp. 696-98). Barcelona: ISEA & Universitat Oberta de Catalunya. DOI: https://doi.org/10.7238/ISEA2022.Proceedings. FL200100004, 5 years.

Thurow, S., Del Favero, D. & Wake, C. (2021). Zero-Waste Bauprobe: Full-Scale Collaboration in Virtual Space, in Theatre Ecologies: Environments, Sustainability, and Politics, Galway, Ireland.

Thurow, S., Del Favero, D. & Wallen, L. (2020). Digitally Transforming Theatrical Design Practice, in Acts of Gathering. Performing Futures. Roaring Change, Australasian Drama Studies Association, University of New South Wales, Sydney.

Del Favero, D. (2019). Augmented Creativity – ‘Future Design: Sm(ART) Artificial and Artistic Intelligence’. In Future Design – Experimenta, Heilbronn, Germany.

Del Favero, D., de Belen, R. & Bednarz, T. (2019). Combining Mixed Reality and Internet of Things: An Interaction Design Research on Developing Assistive Technologies for Elderly People. In Human Aspects of IT for the Aged Population. Social Media, Games and Assistive Environments , vol. 11593 (291-304), DOI: 10.1007/978-3-319-39943-0\_1

Thurow, S., Del Favero, D., Wallen, L. & Scott-Mitchell, M. (2019). Immersive Interactive Aesthetics for Set Modelling – the iBauprobe Platform. In PQ Talks, Prague Quadrennial of Performance Design & Space, Prague, Czech Republic.

Thurow, S., Del Favero, D. & Wake, C. (2018). Dialogical Aesthetics – Reconfiguring Theatrical Spaces through Digital Technology. In Theatre & Technology Conference, Society for Theatre Studies, Institute for Media & Culture Studies, Heinrich-Heine-Universität, Düsseldorf, Germany.

Del Favero, D. (2018). AI & Advanced Creativity: An Emerging Horizon. Keynote Address at Digital Humanities Australia, University of South Australia, Adelaide.

Thurow, S. & Del Favero, D. (2018, Jun). Intra Space – Exploring the Actor through Artificial Intelligence. In Actors & Acting in the 21st Century Conference, Australasian Drama Studies Association, Victorian College of the Arts, Melbourne.

Del Favero, D. (2015). Aesthetics and Machine Intelligence. Libidinal Circuits: Scenes of Urban Innovaton III: 3rd Annual Conference of the International Association for the Study of the Culture of Cities, FACT (Foundation for Art and Creative Technology), Liverpool, UK.

Del Favero, D. (2014). Transactions in 3D Space: Database or Narrative Events? 3D-Symposium Beyond: Designing for the Future_, ZKMMedientheater, Karlsruhe, October 9-12.

Del Favero, D. (2013). Aesthetics and Artificial Intelligence. Beyond 3D Festival: 3D Symposium Parallax, University of Art and Design, Karlsruhe, Germany.

Del Favero, D. & Pagnucco, M. (2011). Artificially Intelligent Aesthetics: Recent Experimental Studies. NIEA Experimental Arts Double Conference, UNSW, Sydney.

Del Favero, D. & Barker, T. (2010). Scenario: Co-Evolution, Shared Autonomy and Mixed Reality. Proceedings of IEEE International Symposium on Mixed and Augmented Reality, Seoul, Korea.

Barker, T., Del Favero, D. & Hardjono, A. (2010). Memory Processes and Frontier Technology. War Literature and the Arts Conference, United States Air Force Academy, Colorado Springs, USA.

Kuchelmeister, V., Shaw, J., McGinity, M., Del Favero, D. & Hardjono, A. (2009), Immersive Mixed Media Augmented Reality Application & Technology, Advances in Multimedia Information Processing – PCM 2009, vol. 5879 (1112-18).

Kenderdine, S., Shaw, J., Del Favero, D. & Brown, N. (2008). Co-Evolutionary Narrative & Virtual Heritage, New Heritage Proceedings (35-4)

Del Favero, D., Brown, N., Shaw, J. & Weibel, P. (2007). Experimental Aesthetics and Interactive Narrative. Australian Council of University Art & Design Schools (ACUADS) Conference Report, UNSW, Sydney.

McGinity, M., Shaw, J., Del Favero, D. & Kuchelmeister, V. (2007). AVIE: A Versatile Multi-User Stereo 360-Degree Interactive VR Theatre. The 34th International Conference on Computer Graphics and Interactive Techniques, SIGGRAPH 2007, San Diego, California, USA. (Available at: http://portal.acm.org/citation.cfm?id=1278240&picked=prox&cfid=10584312&cftoken=14117057)
Penumbra, since 2022

Medusa, 2023

Ellipsis, 2014-23

Nebula, 2017-19

Miasma, 2017

Deluge, 2016/17

Scenario, 2010-15

T_Visionarium, 2004-17

Conversations, 2004-06

Deep Sleep, 2004-11

Pentimento, 2001-09

Cross Currents, 1999-2010
Leibniz, 2017/18

Vogesen, 2015

Tampa, 2015

Descartes, 2014/15

Lenz, 2014

Cassandra, 2014

You & I, 2009

Todtnauberg, 2009-14

Eclipse, 2008

Limbo, 2007

Dead Heat, 2007

Spectre, 2007

Sottovoce, 2002

Angelo Nero, 2001

Mors Tua, 1999, 2001

Requiem, 1999, 2001

Coming Apart, 1997

Pietà, 1994-96
Dolomites, 2014

Affinity, 2009

Foreshadow, 2009

Chimera, 2006

Fold, 2006

Ombelico, 2004

Estinto, 2002

Coma, 2001

Threshold, 1999-2007

Parting Embrace, 1996-2009

Prima Facie, 1993-98

Motel Viina Vlas, 1995-2013

Linea Di Fuoco, 1987-90

Scenario N.5, 1985

Quegli Ultimi Momenti, 1984/85
AI Art

Climate Art Theory and Practice

Digital Aesthetics

Disaster Simulation

Fine Art Photography

Immersive Visualisation

Interaction Design

Media Art

Stage Design

3D Environmental Modelling

Video Art
Nagida Helsby-Clarke: Multi-Sensory Immersive Design

Lara Clemente: 3D Aesthetic Modelling of Trees in Dynamic Fires

Mario Flores Gonzalez: Visceral Interaction Design

Frank Wu: Machine Learning Simulation of Extreme Fires
Egbuna, I. K., Airebanmen Otoibhili, P., Oyiza Abdulkareem, R., Ikechukwu Ogbozor, F., Etinosa Oyegue, P., Azih, N.K., and Akomolafe, O.B. (2025). “Explainable Artificial Intelligence (XAI) in Diagnosing Neurodevelopmental Disorders: From Black Boxes to Clinical Transparency,” International Journal of Biological and Pharmaceutical Sciences Archive 10(1): 31-57. DOI: https://doi.org/10.53771/ijbpsa.2025.10.1.0052

Eldin Rashed, A.E., Bahgat, W.M., Ahmed, A., Farrag, T.A., Mansour Atwa, A.E. (2025). “Efficient machine learning models across multiple datasets for autism spectrum disorder diagnoses,”Biomedical Signal Processing and Control100, Part A: 106949. DOI:  https://doi.org/10.1016/j.bspc.2024.106949.

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de Belen, Ryan Anthony J., Valsamma Eapen, Tomasz Bednarz, Arcot Sowmya (2024 – in press). Using visual attention estimation on videos for automated prediction of autism spectrum disorder and symptom severity in preschool children. medRxiv 2023.06.13.23286416. DOI: 10.1101/2023.06.13.23286416.

Edgeley, C.M., Cannon, W.H., Pearse, S. et al. (2024). Five social and ethical considerations for using wildfire visualizations as a communication tool, Fire Ecology 20, 45. DOI: 10.1186/s42408-024-00278-8.

Zhou W, Yang M, Tang J, Wang J, Hu B. (2024 – in press). Gaze Patterns in Children With Autism Spectrum Disorder to Emotional Faces: Scanpath and Similarity. IEEE Trans Neural Syst Rehabil Eng. 2024;32:865-874. DOI: 10.1109/TNSRE.2024.3361935.

Cao, X. et al. (2023). Vitasd: Robust Vision Transformer Baselines for Autism Spectrum Disorder Facial Diagnosis. IEEE International Conference on Acoustics, Speech & Signal Processing, Rhodes Island, Greece. DOI: 10.1109/ICASSP49357.2023.10094684

de Belen, R. et al. (2023). Eye-tracking correlates of response to joint attention in preschool children with autism spectrum disorder. BMC Psychiatry 23: 210-27. DOI: 10.1186/s12888-023-04585-3

Germanese, D., Colantonio, S., Del Coco, M., Carcagnì, P., Leo, M. (2023). Computer Vision Tasks for Ambient Intelligence in Children’s Health. Information 14.548.  DOI: 10.3390/info14100548.

Godel, M. and Robain, F. (2023, preprint). Prosodic signatures of ASD severity and developmental delay in preschoolers, Research Square. DOI: https://doi.org/10.21203/rs.3.rs-2381598/v1

Gu, X. et al. (2023). Autism Spectrum Disorder Diagnosis Using the Relational Graph Attention Network,

Biomedical Signal Processing & Control 85. DOI: 10.1016/j.bspc.2023.105090

Huang, X. et al. (2023). Posture-based Infant Action Recognition in the Wild with Very Limited Data, 2023 IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW) (pp. 4912-21), Vancouver, Canada. DOI: 10.1109/CVPRW59228.2023.00519

Islam, M.A., Hasan, M.M. and Deowan, S.A. (2023). Robot-Assisted Training for Children with Autism Spectrum Disorder: A Review. J Intell Robot Syst 108: 41. DOI: 10.1007/s10846-023-01872-9

Jin, X., Zhu, H., Cao, W., Zou, W. and Chen, J. (2023). Identifying activity level related movement features of children with ASD based on ADOS videos, Scientific Reports 13: 3471, https://doi.org/10.1038/s41598-023-30628-6

Johnson, J. (2023). UnMapped: Leveraging Experts’ Situated Experiences to Ease Remote Guidance in Collaborative Mixed Reality. CHI ’23, April 23-28, Hamburg, Germany. DOI: 10.1145/3544548.3581444

Kenderdine, S., Hibberd, L., Shaw, J., Chang, T. and Hou, Y. (2023). Archery Rites: Remaking Confucian Rites (pp.249-78). In H. Chao et al. (eds.), Chinese Archery Studies, Martial Studies 1, https://doi.org/10.1007/978-981-16-8321-3_13

Lam, W. et al. (2023). A Systematic Review of the Applications of Markerless Motion Capture (MMC) Technology for Clinical Measurement in Rehabilitation. Journal of NeuroEngineering and Rehabilitation 20: 57. DOI: 10.1186/s12984-023-01186-9

Li, J. and Wang, J. (2023). Digital animation multimedia information synthesis based on mixed reality framework with specialized analysis on speech data. Int J Speech Technol 26: 63-76. https://doi.org/10.1007/s10772-021-09940-x

Jicheng Li, Vuthea Chheang, Pinar Kullu, Eli Brignac, Zhang Guo, Anjana Bhat, Kenneth E. Barner, and Roghayeh Leila Barmaki (2023). MMASD: A Multimodal Dataset for Autism Intervention Analysis. In Proceedings of the 25th International Conference on Multimodal Interaction (ICMI '23) (397-405). New York: Association for Computing Machinery. DOI: 10.1145/3577190.3614117.

Liang, R. (2023). Exploring the Fusion Potentials of Data Visualization and Data Analytics in the Process of Mining Digitalization. IEEE Access. DOI: 10.1109/ACCESS.2023.3267813

Lønfeldt, N., Clemmensen, L. and Pagsberg, A. (2023). A Wearable AI Feedback Tool for OCD Treatment and Research (Wrist Angel): A protocol for a non-randomized pilot study, JMIR Preprints: 45123.

Luan, L. (2023). Computer Vision to the Rescue: Infant Postural Symmetry Estimation from Incongruent Annotations, IEEE/CVF Winter Conference on Applications of Computer Vision (WACV).

Mahroo, A., Greci, L., Mondellini, M. and Sacco, M. (2023). Assessment of a Mixed Reality Smart Home Controller: HoloHome Pilot Study on Healthy Adults, Virtual Reality 27: 2673-90. DOI: 10.1007/s10055-023-00834-8

Maio, R. et al. (2023). Pervasive Augmented Reality to Support Logistics Operators in Industrial Scenarios: A Shop Floor User Study on Kit Assembly, International Journal of Advanced Manufacturing Technology. DOI: 10.1007/s00170-023-11289-1

Marques, B., Silva, S., Teixeira, A., Alves, J., Dias, P. and Santos, B.S. (2023). Towards Asynchronous Mixed Reality Remote Guidance supported by a Virtual Assistant: Proposal of a Conceptual Model, IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (pp. 370-74), Shanghai, China. DOI: 10.1109/VRW58643.2023.00082

Mazyed, F., and Aldaihania, F. (2023). “From physical to virtual: The impact of mixed reality technologies on students' engagement in Kuwait universities using structural equation modeling,“ International Journal of Data and Network Science 7: 523-32.

Mohammed, V.A., Mohammed, M.A., Mohammed, M.A., Logeshwaran, J. and Jiwani, N. (2023). Machine Learning-based Evaluation of Heart Rate Variability Response in Children with Autism Spectrum Disorder, 3^rd International Conference on Artificial Intelligence & Smart Energy (pp. 1022-1028), Coimbatore, India. DOI: 10.1109/ICAIS56108.2023.10073898

Natraj, S. et al. (2023 – preprint). Video-Audio Neural Network Ensemble for Comprehensive Screening Of Autism Spectrum Disorder in Young Children. MedRXiv DOI: 10.1101/2023.06.28.23291938

Neely, L., Carnett, A., Quarles, J. et al. (2023). The Case for Integrated Advanced Technology in Applied Behavior Analysis. Adv Neurodev Disord 7: 415-25. DOI: 10.1007/s41252-022-00309-y

Paulo, J. R. et al. (2023). A Framework for Motor Function Characterization in Autism Spectrum Disorder, 2023 IEEE 7th Portuguese Meeting on Bioengineering (pp.104-07), Porto, Portugal. DOI:10.1109/ENBENG58165.2023.10175324

Pramod, D. (2023). Assistive Technology for Elderly People: State of the Art Review and Future Research Agenda, Science & Technology Libraries 42.1: 85-118. DOI: 10.1080/0194262X.2021.2024481

Pronika, D., Mudgal, G. and Yati, G. (2023). Augmented Reality for Advanced Home Applications, 2023 5th International Conference on Smart Systems and Inventive Technology (ICSSIT) (pp. 118-123), Tirunelveli, India, 2023. DOI: 10.1109/ICSSIT55814.2023.10060904

Rinnert, T., Walsh, J., Fleury, C., Coppin, G., Duval, T. and Thomas, B.H. (2023). How Can One Share a User’s Activity during VR Synchronous Augmentative Cooperation?, Multimodal Technol. Interact. 7: 20. DOI: https://doi.org/10.3390/mti7020020

Sivertsen, Christian, René Haas, Halfdan Hauch Jensen, and Anders Sundnes Løvlie (2023). Exploring a Digital Art Collection through Drawing Interactions with a Deep Generative Model. In Extended Abstracts of the 2023 CHI Conference on Human Factors in Computing Systems (CHI EA '23). Article 451, 1–5. New York: Association for Computing Machinery. DOI: 10.1145/3544549.3583902.

Tkachuk, V., Yechkalo, Y., Brovko, D., and Sobczyk, W. (2023). Augmented and Virtual Reality Tools in Training Mining Engineers. Inżynieria Mineralna — Styczeń – Czerwiec 2023 January – June — Journal of the Polish Mineral Engineering Society: 137-46.

Wang, P., Wang, Y., Billinghurst, M., Yang, H., Xu, P. and Li, Y. (2023). BeHere: a VR/SAR remote collaboration system based on virtual replicas sharing gesture and avatar in a procedural task, Virtual Reality. DOI: https://doi.org/10.1007/s10055-023-00748-5

Wei, P. et al. (2023). Vision-Based Activity Recognition in Children with Autism-Related Behaviors. Heliyon 9.6. DOI: 10.1016/j.heliyon.2023.e16763

Yuan, H., Lee, J.H. and Zhang, S. (2023). Research on simulation of 3D human animation vision technology based on an enhanced machine learning algorithm. Neural Comput & Applic 35: 4243-54. https://doi.org/10.1007/s00521-022-07083-x

Zhang, N. (2023). Face Image and Video Analysis in Biometrics and Health Applications. PhD Thesis (Computer Science). Morgantown: Benjamin M. Statler College of Engineering & Mineral Resources, West Virginia University.

Alliata, G. (Jun 2022). Redefining Access to Large Audiovisual Archives through Embodied Experiences, in Immersive Environments: Creativity & Cognition 2022, 679–683, ACM. DOI: 10.1145/3527927.3533735

Ben Ayed, I (2022). Au croisement d’une architecture multi-sensorielle et d’une esthétique expérimentelle: L’interaction sensorielle dans les approaches artistiques médiatiques contemporaines. Art et histoire de l’art. Université Panthéon-Sorbonne - Paris I; Ecole Supérieure Des Sciences et Technologies du Design (Tunisie).

Bahathiq, R., Banjar, H., Bamaga, A. and Jarraya, S. (2022). Machine learning for autism spectrum disorder diagnosis using structural magnetic resonance imaging: Promising but challenging. Front. Neuroinform. 16: 949926. DOI: 10.3389/fninf.2022.949926

Cheang, V. (2022). Towards Virtual Teaching Hospitals for Advanced Surgical Training (pp. 410-14), 2022 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW), Christchurch, New Zealand. DOI: 10.1109/VRW55335.2022.00089

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Damasio Oliveira, J., Colleoni Couto, J., Stangherlin Machado Paixão-Cortes, V. and Heitor Bordini, R. (2022). Improving the Design of Ambient Intelligence Systems: Guidelines Based on a Systematic Review, International Journal of HCI 38.1: 19-27. DOI: 10.1080/10447318.2021.1926114

de Belen, R., Bednarz, T. and Sowmya, A. (2022), ScanpathNet: A Recurrent Mixture Density Network for Scanpath Prediction (pp. 5006-16), 2022 IEEE/CVF Conference on Computer Vision and Pattern Recognition Workshops (CVPRW), New Orleans, USA. DOI: 10.1109/CVPRW56347.2022.00549

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Ferreira, G., Pinheiro, M. and Silva, J. (2022). Floating Music Score: System Design, 2022 22^nd International Conference on Computational Science and Its Applications (ICCSA) (pp. 9-15), Malaga, Spain. DOI: 10.1109/ICCSA57511.2022.00012

Flavia D. Frumosu, Nicole N. Lønfeldt, A.-R. Cecilie Mora-Jensen, Sneha Das, Nicklas Leander Lund, A. Katrine Pagsberg, Line K. H. Clemmensen (2022). Interpretability by design using computer vision for behavioral sensing in child and adolescent psychiatry. Presented at 2^nd Workshop on Interpretable Machine Learning in Healthcare (IMLH) - International Conference on Machine Learning (ICML) 2022. DOI: 10.48550/arXiv.2207.04724.

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Simone, C.J. (1996). D. Del Favero. Polemic 7 (1): 6-9.

Sommer, T. (1996). Jenny Holzer: Kriegszustand und Dennis Del Favero: Motel Vilina Vlas (The Uses of Rape). Das Kunst-Bulletin (June).

Stange, R. (1996). Sex and Crime. Flash Art 190 (Oct): 75.

Von Titz, W. (1996, September 15). Kunstgeografie. Kleine Zeitung.

Werneburg, B. (1996, July 28). Erste Takte des Walkürenritts. Taz.

Werner, K. (1996). Jenny Holzer - Kriegszustand; Dennis Del Favero - Motel Vilina Vlas. Kriegszutand. Leipzig: Förderkreis der Leipziger Galerie für Zeitgenössische Kunst.

Cohen, B. (1995). Motel Vilina Vlas. Photofile 46 (Nov): 28-31.

Papastergiadis, N. (1995). Pietà. Art and Design Profile 43 (Jul): 34.

Papastergiadis, N. (1995). Motel Vilina Vlas: Dennis Del Favero. Leichhardt: Mori Gallery.

Baldwin, S. (1994). Letter from the Editor. ABC Radio 24 Hours.

Barrett-Lennard, J. (1994). Adelaide Biennial of Australian Art. Adelaide: Art Gallery of South Australia.

Brauer, F. (1994). And Love a Fantasy Breastfeeding Our Sexuality. Artlink 14.4: 49-52.

Ennis, H. (1994, Otober 2). Audio-Visual Work Very Rarely Seen. Canberra Times: 23.

Ewington, J. (1994). Festival Breakthrough. Artlink 14.2: 67-71.

Fenner, F. (1994, June 24). Trappings of Desire. The Sydney Morning Herald: 19.

Gennocchio, B. (1994). Heterotopia and Its Limits. Transition 41: 33-41.

Hepburn, M. (1994, March 24). Dispossessed. On Dit: 24.

Mellick, A. (1994). True Stories. Sydney: Artspace.

Mendelssohn, J. (1994, March 15). Orthodoxy Endorsed. The Bulletin: 101-03.

Nunn, L. (1994, February 19). Smart Art. The Advertiser: 24.

Rowley, S. (1994). Prima Facie: Unravelling Masculinity. Photofile 43 (Nov): 35-37.

Thomas, D. (1994). Adelaide Installations. Adelaide: Art Gallery of South Australia.

Ward, P. (1994, March 4). Right Elements Stir Visual Storm. The Australian.

Watson, B. (1994, September 10). No Mere Window Dressing. The Sydney Morning Herald: 18.

Best, S. (1993). Man, the Darker Continent. In Prima Facie. Wollongong: Wollongong City Gallery.

McFarlane, R. (1993, September 11). A Prima Facie Case of Tragedy. The Sydney Morning Herald: 15.

Thomas, M. (1993). Dennis Del Favero. Art & Text (Nov).

Barrett-Lennard, J. (1992). Working in Public. Sydney: Artspace.

Gibson, E. (1992, March 27). Upstanding Cheek. The Sydney Morning Herald Metro: 2.

Green, C. (1992). Lost and Found: The Empire of Death. Binocular 1: 24-39.

Holt, J. (1992). Undercover at Wynyard. Axis (May).

Brauer, F. (1991). Futures Past, Diario Per Una Vita Nuova. Eyeline 14 (Autumn).

Cochrane, G. (1991, December 13). Few Win Nod from Board. The Sydney Morning Herald: 14.

Guest, M. (1991). Towards the Hyperreal. West 3.1: 36-42.

Hinderaker, M. (1991). Diario Per Una Vita Nuova. Artlink 11.1-2: 76-77.

Kelly, S. (1991, March 30). Into the Forest of Fact-Fiction with the Fragments of a Mystery. The Mercury: 30.

Lynn, E. (1991, September 15). No Room for Willing Disbelievers. The Australian.

Allen, C. (1990, September 20). 1984 By Another Name. The Sydney Morning Herald: 12.

Batchen, G. (1990). Performatives: Australian Photography. In Aurora Australis. Vancouver: Presentation House Gallery.

Batchen, G. (1990). Diario Per Una Vita Nuova. Sydney: Australian Centre for Photography.

Birnie-Danzker, J.-A. (1990). Southern Lights. Vancouver Review.

Danielsen, S. (1990, August 24). A Present from the Future. The Sydney Morning Herald Metro: 1/2.

Lacey, L. (1990, April 11). A Glimpse Through the Australian Lens. The Globe and Mail Vancouver.

Rosenberg, A. (1990, April 7). Aurora Australis. The Vancouver Sun.

Williams, R. (1990). The Labyrinth of Time. Look (Sep): 16.

Willsteed, T. and Sheehy, B. (1989). Sydney Theatre Company 1978-1988. Sydney: Focus Books.

Bromfield, D. (1988, February 13). Patterns of Time in Del Favero. The West Australian.

Curnow, H. (1988, July 9). Artists Mount Challenge to Those Anglo-Saxon Dreams. The Mercury: 21.

Marcon, M. (1988). Topographies of Power. Praxis M 19 (Mar): 4-9.

Sewell, S. (1988). Linea di Fuoco. Photofile (Autumn): 15-17.

Weston, A. (1988). No Escape. Broadsheet (Jun).

Weston, A. (1988, June 16). Government Involvement in the Arts: Two Perspectives. The Advertiser: 31.

Barcley, A. (1987). Spying on Young Love Artistically. The Australian: 3.

Batchen, G. and Panucci, F. (1987). Linea di Fuoco (Line of Fire) by Dennis Del Favero and FILEF. Sydney: Art Gallery of New South Wales.

Batchen, G.  (1987). Lines of Fire. Look (Sep): 9.

McGillick, P. (1987). Linea di Fuoco. New Theatre Australia (Sep).

McFarlane, R. (1987, Sep 22). A Catalogue of Painful Times. The Australian: 10.

Smith, T. (1987, Sep 6). The Rest of the World is Already Here. The Times on Sunday: 30.

Smith, T. (1986). Re-Presenting Work. In Afterimage 14 (Sep), 8-9.

Ballard, B. (1985). Quegli Ultimi Momenti. Follow Me Gentlemen (Sep/Oct): 242-43.

Batchen, G. (1985). Pluralism Rules! OK?. Photofile (Summer): 10-14.

Cochrane, G. (1985, Nov 23). With Clarity, Integrity and Consonance. The Mercury.

Holmes, J. (1985). Quegli Ultimi Momenti. Photofile (Winter): 28.

Lynn, E. (1985, November 2). Favourites, Censors and Other Monsters. The Australian.

McGillick, P. (1985). Those Final Moments. Art and Australia 23.1 (Spring): 30-32.

McGillick, P. (1985). Exposure. Vogue Australia 10: 63.

Nicolaedes, J. (1985). Those Final Moments. Art Network (Autumn).

Tourvas, D. (1985). Images of Immigrants. Photofile (Summer): 5-7.

Lucas, I. (1984, May 15). Turn Left for Theatre without Actors. The Sydney Morning Herald.

MacIntyre, A. (1984, June 5). Mixed Media Brings Home the Holocaust. The Age.

McFarlane, R. (1984, May 10). Fusion of Images and Sound Depicts Bleak Life in Exile. The Australian.
Schenk, B. (2023). “Foreword”. In I. Pellion di Persano (ed.), Viscera (p. 11). Turin: Recontemporary.

“Placing uncertainty at the centre of art, it vivifies how these events and their interactions fundamentally destabilise the predictable existential conditions under which we have historically lived. This means reframing aesthetics from Descartes’ question of “what I am certain I see” to “how do we engage with the uncertainty of the world”.”

Mastroianni, R. (2023). “Apokálypsis”. In I. Pellion di Persano (ed.), Viscera (pp. 14-15). Turin: Recontemporary.

“The exhibited works shape a kaleidoscope of images and sounds, through which the viewer is called to engage, becomingpart of a complex narrative device which, on one hand, displays the ecological fragility of our world, and on the other,prompts reflections on the emotional and cognitive nature of a “landscape” now beyond our control, no longer the theaterof our evolution, but the backdrop of a crisis that jeopardizes our very survival.”

Frohne, U. (2023). “Night Drifts Above the Earth”. In I. Pellion di Persano (ed.), Viscera (pp. 28-31). Turin: Recontemporary.

“...The digitally animated installations unfold scenarios of disaster that radically break also with the sublime aesthetic celebrated in 19^th century art on the eve of industrialization. […] Del Favero unfolds a contemporary panorama of the world’s ontology that can be read as a scientifically grounded diagnosis of the forces in the face of the anthropogenic destruction of the living sphere that demand an environmental contract not only for the humankind, but for multispecies inthe face of a much more rapidly than anticipated advancing global warming. [...] These are observations that indicateethical engagement, applying the methodologies of art that no longer prioritizes the aesthetic experience of contemplation alone, but rather enact an intersectionalist politics of aesthetics, that uncovers the complex interconnected strands ofpolitical ecology, climate injustice, disaster capitalism, colonial domination, socio-economic extractivism and environmental catastrophes...”

Duguet, A.M. (2008). “Foreword”. In J. Bennett (ed.), T_Visionarium: A User’s Guide (p. 4). Karlsruhe/Sydney: ZKM/UNSW Press.

“T_Visionarium addresses the part played by digital media in the construction of collective consciousness, memory and imagination and its effect on social behaviour. No longer are we in front of the image but at the heart of the scene, facing not one screen but surrounded simultaneously by a multiplicity of images. No longer are we just beholders but activators and editors, our whole body involved in the reception and recombination of images. No longer do we wait for an image, but we access it immediately.”

Bennett, J. (2008). “Gesture/Affect.” In J. Bennett (ed.), T_Visionarium: A User’s Guide (p. 39). Karlsruhe/Sydney: ZKM/UNSW Press.

“Here, media is not an object of study but a medial landscape in which we are component parts. T_Visionarium is a useable technology – a relentlessly aesthetic project that resists definition as an artwork. In essence it is not so much a tool that delivers control of a mediscape but a mode of inhabiting our surroundings: a sphere of a pure and endless mediality.”

Smith, T. (2011). “Transnational Virtuality: New Media Arts, Contemporary Concerns.” In J. Anderson (ed.), The Cambridge Companion to Australian Art (p. 260). Melbourne: CUP.

“[T_Visionarium] takes interactivity to a new technological level, and introduces the spectator to a depth of immersion yet enablement not matched in other art dealing with social mediation – one of contemporary art’s most central themes. […] [Del Favero’s works] have reached a level of maturity with regard to medium that matches that of the best artists working in whatever medium anywhere in the world.”

Clare Stewart, Artistic Director of the London Film Festival (A. Watanabe, News.com.au, 2011).

“[Scenario] positions Australia as a creative and technological leader in the film industry”

Weibel, P. (2011). “Foreword.” In E. Scheer (ed.), Scenario (p. 11-13). Karlsruhe/Sydney: ZKM/UNSW Press.

“Scenario is a tour de force, a world-first cinematic innovation that integrates artificial intelligence with the technologies of interactivity, 3D, color, sound and the moving image […] Scenario is the first work that combines all the steps in the evolution of cinema, and is therefore closet to cinema’s ambition to imitate life, not only in its technology abut also in its content: confronting the shadowy side of humankind with the bright light of technological progress.”

Scheer, E. (2011). “The Baby: Fragments.” In E. Scheer (ed.), Scenario (p.71). Karlsruhe/Sydney: ZKM/UNSW Press.

“Perhaps this is the ultimate achievement of the work as an artwork, the production of lived affects, sculpted into the form of performative media, and creating a sense of possibility spilling into the space of the event”.

Waterlow, N. and P. Weibel (2004). “Foreword.” In J. Bennett (ed.), Dennis Del Favero: Fantasmi. Hannover: Sprengel Museum.

“Del Favero chooses to dwell on the darker matter within, not to obscure, as with so much artistic endeavour, but to reveal its revelatory and utterly disturbing continuity. This representation of the ‘discontent in culture’ (Freud) which is often suppressed or sublimated in art, makes the work of Del Favero so relevant.”

Weibel, P. (1999). “Political Intersections.” In J. Shaw (ed.), Dennis Del Favero - Cross Currents. Karlsruhe: ZKM.

“The representation of evil is a classical problem of art…How, then, is it possible to represent events that are ugly by images that are by definition unable to be unsightly? Between those twin grapples of meaning and beauty, of ugliness and meaninglessness, Del Favero’s work unfolds as a critique of meaning and critique of beauty. In other words, he is looking for a way out of the paradox.”

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Scientia Professor Dennis Del Favero